Rigby and Rigby Photo Studio (1905-1915, Everett)

  • By Margaret Riddle
  • Posted 3/18/2008
  • HistoryLink.org Essay 8529

Clara (1873-1953) and Alice Rigby (1871-1915) owned and operated an Everett photographic studio from 1905 to 1915, successfully competing with a dozen other local firms.  Calling their business the Rigby Photo Shop, the sisters specialized in portraiture, particularly of children.  As their work grew, they established branch locations in Arlington, Snohomish and Marysville.  The Rigby's photographic success ended when Alice was diagnosed with cancer in 1915 and died that same year.  Clara continued the business only a few months more and then closed the studio.   A small collection of their work is stored in the archives of the Everett Public Library.

The Rigby Sisters

Iowa-born Clara and Alice Rigby arrived in Everett, Washington, at the dawning of the twentieth century and did what few other women of their time were able to do: they owned and operated a professional photo studio. From 1905 to 1915, the Rigby Photo Shop successfully competed with prominent local photographers J. D. Myers and Bert Brush, as well as a half-dozen smaller firms, and found a niche for itself in a profession dominated by men.

The Rigby sisters were part of a growing number of women in the early 1900s who sought social and economic independence, and the West was fertile territory for this progressive kind of thinking. Issues of the day included the rights of working women and, more significantly, a woman’s right to vote. In 1910 Washington State granted women suffrage.

But the need for independence had more immediate and personal roots for Alice and Clara Rigby. As the result of an unhappy marriage, their mother, Delia, encouraged her daughters to seek professions, not husbands. In like manner, Delia’s sister, Emma Sarepta Yule, was a highly successful and independent woman. Arriving at the Everett town site in 1891, Emma Yule became Everett’s second school teacher. And when other teachers were hired, Emma became principal. From 1897 to 1900, she served as Everett’s Superintendent of Schools. In a dispute over pay and promotion in 1900, Emma Yule left Everett to teach in Alaska. Showing such independence, intelligence and ability, Emma was likely a significant role model for her young nieces.

The Rigby Photographers

The Rigby sisters chose professions that were considered acceptable for women of their time: Alice became a teacher, and Clara pursued photography. In Washington State, female teachers could not be married, a requirement that continued for decades. And photography was, as the Kodak Company advertised at the turn of the century, an appropriate artistic endeavor for women, though most worked as silent partners in the darkroom or as retouchers, their identities invisible behind a male studio name.

Rigby family stories recall that Delia came to Everett with daughters Clara and Alice at the turn of the century, but city directories indicate otherwise. Alice seems to have come to Everett first, arriving alone in 1900. She is listed that year as teaching at Lincoln School, in the elementary grades, and living with aunt Emma Yule in Everett’s elegant Monte Cristo Hotel.

Clara had begun her photographic career working as a retoucher in 1892 for the J. C. Wilson Studios in Cherokee, Iowa, and moved next to Colorado where she did similar work for various studios. In 1904, she and her mother came to Everett and Clara found work as a retoucher for photographer Loren H. Seely (1876-1937). One year later, she bought the Seely studio, acquiring both his studio location and negative collection. Alice quit teaching to work with Clara, and for nearly 10 years, the Rigby sisters operated the business with considerable success.

Rigby family members say that the sisters called their studio Rigby and Rigby in an attempt to conceal the fact that they were women, but Clara and Alice also found ways to capitalize on the pluses of their gender. The Rigbys advertised as “Portraitists” who specialized in baby pictures, and it can be imagined that Alice drew on her teaching experience to aid in photographing the young.

Processing Early "Snapshots"

With the severe depression years of the 1890s now in its past, the Pacific Northwest was once again feeling prosperous and optimistic, and Everett gained its share of new arrivals, many of them immigrants, seeking to better their lives in a new place. In the century’s first decade, Everett’s population tripled.

Everett now had families, and families had “Kodaks.” By 1900, photographic advances and cheaper prices made it possible for amateurs to take their own pictures. Working with either a small glass-plate camera or a new popular roll film model known as the postcard Kodak 3A, they photographed their families and their homes and businesses, as well as activities on their city streets. They also recorded heavy snowfalls and floods and documented their vacations and trips abroad.

Often poorly exposed and usually of poor composition, these photographs were, nevertheless, a priceless way of sharing experiences with family and friends miles away. Studios processed and duplicated these amateur views, often printing them as postcards, which could be mailed. Over the years, these amateur postcard images have become historical treasures because they often documented events of everyday life in a way that studio views did not.

Professional Portrait Photography

Film processing offered steady work, and the Rigbys gained their share of this business. But more money was being made in portraiture and commercial photography. Professional portraits were highly prized. Photographed with balanced lighting, set against a studio background, and retouched to make its subjects look their best, the professional portrait was considered a work of art, and professional photographers were held in high regard. Competition was keen, and to prosper in the work, a practitioner needed to be good at business as well as art. The Rigby sisters skillfully balanced both and survived in competition with other excellent photographers.

The Rigby Photo Shop was initially located in Everett’s Realty Building on the northeast corner of Hewitt Avenue and Colby Avenue (1905-1913), with branch studios in Monroe (1906), Snohomish (1908, 1910, 1914-15), and Arlington (1908-09). Clara and Alice commuted by train between towns. In 1913 they temporarily closed to visit Japan. Upon returning to Everett, the Rigbys relocated their studio at 2802 Colby. But the joyful years were behind them. Alice soon was diagnosed with cancer and died at 44 years of age. Clara continued the business for only a few months after Alice’s death, then closed the studio for good.

The Rigby negatives were stored for many years and then dispersed, some finding their way into the files of photographer Lee Juleen (1891-1955) of Juleen Studio. A small number are now housed at the Everett Public Library. What the Rigby family has retained are priceless photos that Clara and Alice took of each other, showing the fine quality of their portraiture.

In the 1920s Clara married James Casperson, an employee of the Everett Pulp and Paper Company. The couple moved to California where they grew and marketed nuts. Clara eventually returned to live in Everett and died on August 27, 1953.

Rigby descendants speak of Alice as the quieter and gentler sister, but while Clara was a stern and imposing figure to her relatives, it is Clara they best remember, since she lived long enough to be a presence in their lives.

How were the Rigby sisters able to buy a photo studio while the average retoucher was not? Were they wealthy? “No,” the family says, “they didn’t have money” (Rigby family). Perhaps just the skill, the drive and the dream, which the sisters certainly had.

Sources: David Dilgard and Margaret Riddle interview with Donald Rigby, 1980, Everett; Margaret Riddle interview with Iris Broad, August 20, 2001, Everett; R. L. Polk's city directories for Everett, Washington, 1900 to 1915;  Margaret Riddle, “The Photographic Studio of Rigby & Rigby,” in Snohomish County: An Illustrated History (Index: Kelcema Press, 2005), 172-173; David Dilgard and Margaret Riddle, “An Index of Everett Photographers, 1890-1935), Journal of Everett and Snohomish County History, No. 3 (Winter 1981-1982), p. 22.

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